This is the period where things really took off or totally went to Gehenna, depending on your view of things. By the 90's CCM began to settle into distinct genres that, with the exception of Summer festivals didn't exactly fellowship together. In the first two decades there was a kind of community that put everybody together in a Concert. Hey, it was all about the message. Now the message was still there, but you weren't going to have Stryper and Michael W. Smith on the same ticket.
By 1990 Pop had settled into a distinct genre and rock and metal had parted ways. Heavy metal was also beginning to splinter into hard rock and industrial along with metal, which was divided between melodic or symphonic and screamo or thrash. The synthesizer was making a big inroad into the CCM scene at this time and Dance Music began to be more accepted among the saints
1990 is where we begin. And two of the biggest names of the Decade came from two very separate camps, IONA and Donderfliegen (Darn That Fly), which soon ditched that name for the more recognizable DEITIPHOBIA (Fear of God). IONA is a Prog-Rock powerhouse from the UK. Celtic symhonies meet some of the most talented musicians around. Metal Mistress LEAH McHenry has been greatly influenced by IONA mainly through the work of Troy Donockly on The Quest and Ancient Winter. DEITIPHOBIA is best described as the Father of Christian Industrial Music.
1991 brought us Sorrow of Seven with April Lassiter on vocals and Kevin 131 Gutierrez on Programming and Guitar. Kevin also did Guitar work with DEITIPHOBIA, so there was little doubt that once the band shed it's unwieldy monicker for the more concise Aleixa (pronounced uh-Leek-uh) it would steer the course of Industrial for years to come. The Band is not Unloved.
Ring around the Rosie, pocket full of posies, ashes, ashes, we all fall down. Rising from the Ashes in 1992 was Circle of Dust. The heavier of the two industrial projects of Klayton (Celldweller was more rock) he plays all the instruments himself. The perfect playlist for the Zombie Apocalypse. Speaking of Zombies, our other entry for 1992 is Audio Adrenaline, who has many hits including Some Kind of Zombie.
1993 started a trend which spread like wildfire through the Church. I mean, if you want to go deeper, if you can hear the mountains tremble, or if you can sing of his live forever. If you can you may be Delirious. The British Youth Group band led by Martin Smith revolutionized the Modern Worship genre. Things were truly Jumping in the House of God.
It should be illegal to have so much talent in a small area. Four hours from Littlehampton is Manchester, where the Message To Schools Trust worked with kids in the schools. On Friday they put on a concert for the kids as the World Wide Message Tribe, which made it hip to dance in Church. David would be proud.
Things were heating up. 1994 was a very active year. I might be tempted to say Kiss Me. Sixpence None The Richer burst on to the scene in 1994, along with Nu Metal Band Payable On Death aka P.O.D. Also making their splash were the synthpop bands Joy Electric and The Echoing Green. You might need a three day weekend.
And 1995 was when Third Day flew in like a Blackbird with their brand of 1970's Southern Rock. Mac Powell and Company created a niche in CCM that Disciple and Decyfer Down were to enter. There aren't too many bands willing to step into the shoes of Bad Company and ZZ Top.
Our final post is next. 1996. The Class of 2021. Until Next Time, I am Awaiting Your Reply.
