Cooking Something Up: The Class of 1996

The Class of 1996. Or the Class of 2021. The Rock and Roll Hall of Fame induction rules, which I am borrowing, is 25 years from the date of the first album. This year is 25 years from a release in 1996. And what a year it is.

The list is by no means inclusive, but I think the following would be first ballot Hall of Fame. 

First, the also rans. These may eventually get in, but not first ballot. Blackball, Ghoti Hook, and My Friend Stephanie. Rock, Alternative and Ska.

The Class of 2021 is 6 Strong. We Start with a little house cleaning, and when you do, it's best to use Bleach. A punk alternative band that made it's bones by appearing on the Jenny Jones Show and performing Super Good Feeling. The Post Punk scene wasn't very big, but Bleach fans were loyal. They burned out quickly as their final concert was in 2004. I saw them 3 times in 1997 with Seven Day Jesus, in 1999 with Joy Electric and Miss Angie, and as part of Soulfest in 2004. The Cause of Death was a tired heart caused by the death of friends in the Gulf War. We have been waiting for a reunion since.

Seven Day Jesus came on to the scene at the same time, and actually toured together for a time. They were more straight up rock than Bleach an so got overwhelmed in the crowd. A. Point of trivia is that Bass player Russ Fox also played with Bleach

The Ska Scene blew up in 1996. When a genre takes off it seems like the band flow to it like mice to the Pied Piper. The most successful of them was the Orange County Supertones.

Punk had the Ramones, and the Christian World's Ramones were called The Huntington's. If you like your songs under 2 minutes, this is the band for you.

Starting from Hard Rock and mellowing to Emo, Stavesacre. Their latest release was in 2017 after they had taken a 7 year hiatus.

And finally, the most successful of them all, Skillet. I still consider their debut almost unlistenable, though not as bad as ZoeGirl. The sole constant in a quarter century, Bass Guitar/Lead Singer John Cooper. His wife Korey joined in 2000 as keyboardist/guitar

R/programming/only adult in The room and the Band has been invincible ever since. Based on recent events, I expect they will be around for a long time to come.

There you have it, the Class of 2021. Until next time, I am Awaiting Your Reply.

Night Beat HOF: 1990-1995

This is where the rubber meets the road. 1996 is 25 years removed from 2021, so we are in the class of 1996. This means that the 90's is 1990-95.

This is the period where things really took off or totally went to Gehenna, depending on your view of things. By the 90's CCM began to settle into distinct genres that, with the exception of Summer festivals didn't exactly fellowship together. In the first two decades there was a kind of community that put everybody together in a Concert. Hey, it was all about the message. Now the message was still there, but you weren't going to have Stryper and Michael W. Smith on the same ticket.

By 1990 Pop had settled into a distinct genre and rock and metal had parted ways. Heavy metal was also beginning to splinter into hard rock and industrial along with metal, which was divided between melodic or symphonic and screamo or thrash. The synthesizer was making a big inroad into the CCM scene at this time and Dance Music began to be more accepted among the saints 

1990 is where we begin. And two of the biggest names of the Decade came from two very separate camps, IONA and Donderfliegen (Darn That Fly), which soon ditched that name for the more recognizable DEITIPHOBIA (Fear of God). IONA is a Prog-Rock powerhouse from the UK. Celtic symhonies meet some of the most talented  musicians around. Metal Mistress LEAH McHenry has been greatly influenced by IONA mainly through the  work of Troy Donockly on The Quest and Ancient Winter. DEITIPHOBIA is best described as the Father of Christian Industrial Music. 

1991 brought us Sorrow of Seven with April Lassiter on vocals and Kevin 131 Gutierrez on Programming and Guitar. Kevin also did Guitar work with DEITIPHOBIA, so there was little doubt that once the band shed it's unwieldy monicker for the more concise Aleixa (pronounced uh-Leek-uh) it would steer the course of Industrial for years to come. The Band is not Unloved.

Ring around the Rosie, pocket full of posies, ashes, ashes, we all fall down. Rising from the Ashes in 1992 was Circle of Dust. The heavier of the two industrial projects of Klayton (Celldweller was more rock) he plays all the instruments himself. The perfect playlist for the Zombie Apocalypse. Speaking of Zombies, our other entry for 1992 is Audio Adrenaline, who has many hits including Some Kind of Zombie.

1993 started a trend which spread like wildfire through the Church. I mean, if you want to go deeper, if you can hear the mountains tremble, or if you can sing of his live forever. If you can you may be Delirious. The British Youth Group band led by Martin Smith revolutionized the Modern Worship genre. Things were truly Jumping in the House of God.

It should be illegal to have so much talent in a small area. Four hours from Littlehampton is Manchester, where the Message To Schools Trust worked with kids in the schools. On Friday they put on a concert for the kids as the World Wide Message Tribe, which made it hip to dance in Church. David would be proud. 

Things were heating up. 1994 was a very active year. I might be tempted to say Kiss Me. Sixpence None The Richer burst on to the scene in 1994, along with Nu Metal Band Payable On Death aka P.O.D. Also making their splash were the synthpop bands Joy Electric and The Echoing Green. You might need a three day weekend.

And 1995 was when Third Day flew in like a Blackbird with their brand of 1970's Southern Rock. Mac Powell and Company created a niche in CCM that Disciple and Decyfer Down were to enter. There aren't too many bands willing to step into the shoes of Bad Company and ZZ Top.

Our final post is next. 1996. The Class of 2021. Until Next Time, I am Awaiting Your Reply.

The Night Beat HOF: Generation Next

1980 was a turning point in the world, and I don't just say that because I was an 80's kid. Ronald Reagan was elected in November of that year and launched a Republican Revolution that is still in Progress. TV was better, Fashion was Better, Hair was Better, and Music Was Better. 

Christian Music was also better then. The genre was growing up. Growing up is painful, and it is no different with CCM. As the years went on the Jesus Music Movement cooled off and artists didn't feel pressured to utter the name of Jesus every other word. Purists call it selling out, but it's really maturity and it led to a better product. Ironically despite the selling out image, some of the most spiritually on fire music came out of the era.

CCM had barely come together as a genre when it began to fracture into many sub-genres. Pop and Rock began to develop into separate worlds, and Rock itself was splitting into Rock, Hard Rock, Alternative and Metal.

Like it's predecessor era, this is just a ten year era. The 90's would be another era altogether. Our 80's inductees include: 

The Choir, 77s, AD, Mylon LeFevre and Broken Heart, Stryper, Whitecross, Bloodgood, Saint, Bride, Michael W Smith,

Russ Taff, Leslie Phillips, Barren Cross, Shiela Walsh, Life Savers Underground, Steve Taylor, White Heart, Undercover, Altar Boys, Carman, Farrell and Farrell, Crumbacher, Newsboys, DC Talk and Kicking off the most amazing decade ever, ArkAngel.

The 90's Await. Until next time, I am Awaiting Your Reply.