Sweet Salvation Song: The Top 10 Songs of The Seventies

Every decade can be defined by its music, and the world of CCM is no exception. It's just that nobody has bothered to. Part of the problem is that CCM is pretty much a niche market, and the charts reflect it, so when any list is made it is mostly based on subjective feelings and not sales or airplay figures. And that applies to the so called "respected" genres like pop, adult contemporary and the like, when dealing with fringe genres like heavy metal and rock, the numbers are microscopic. So perhaps we should call this the Top 20 most influential songs of the 70's, at least to this author.

1. Father's Eyes, Amy Grant (1979) The Song that Launched Contemporary Christian Music. She wasn't the first female Christian artist, not even among those who became known by a mononym. The 70's gave us EVIE (Tornquist-Karlsson), Honeytree (Nancy Henigbaum, Honeytree is the English Translation), REBA  (Rambo-McGuire), and even Stephanie (Boosahda), but none attained to AMY, the Georgia Born, Tennessee Raised Girl with a Guitar that the girls wanted to be like and all the guys wanted to marry. Father's eyes was a Number One Christian Hit, and the Album was the first by a Christian Solo Artist to go Gold. Whatever your musical preference, this song deserves the number one spot.
   
   
2. I Wish we'd All Been Ready, Larry Norman (1969) aka The Song From Thief In The Night or the Rapture Song. To a lot of Christians back then this was probably our introduction to Larry Norman. It was pretty much an Acoustic Guitar Only ballad, though they added some orchestration in the studio. While Just As I Am may have been the standby altar call song in adult Church, this was the standard in Youth Group for many years. 
   
   
3. Why Should The Devil Have All The Good Music, Larry Norman (1972) aka The Other Song That Norman Wrote. From the start, Christian Rock has come under fire from ministers of the Gospel who decried it as "The Devil's Music", while espousing their own, usually Southern Gospel, or in a least one case, a brand of Campmeeting music best described as Honky-Tonk, which to this blogger is somewhat hypocritical. The first and best known of the Rock Defense Songs, which were Christian Rock's answer to these ministers. It would be covered by just about every CCM artist afterward in concert, though to the best of my research the only recorded Cover was done by Geoff Moore and The Distance in 1993.
   
   
4. Love Broke Thru, Phil Keaggy (1976) The "Testimony Song" which became the unofficial anthem of the Jesus Music Era, with Keaggy, Randy Stonehill and Keith Green all having recorded it. Again it was the simplicity of the song, which made it easy for Church Youth Groups to sing, which helped propel the song forward.
   
   
5. Afrikaans, Resurrection Band (1979) Christianity has always been about missions. "Jesus Commands Us To Go" is an actual Bible verse ("Go Ye Into All The Earth and Preach The Gospel') and not just the title of a Keith Green song. And when the Church goes into the World, it sees things in the World which are wrong, and call it out. The Abolitionist Movement in the United States was a Christian Driven movement, although not all abolitionists were Christians. The same with the war against Apartheid in South Africa. First on the scene by at least a year before any mainstream artist noticed things was Chicago's REZ, who would never be timid in taking on social issues. Lyrics such as "God Made The Colors, but the Color doesn't make you God." would be impetus Young Christians would use to tear down racism.
   
   
6. Easter Song, 2nd Chapter of Acts (1974) The debut album by siblings Annie, Matthew and Nellie Ward would have us "Hear the Bells Ringing, they're singing, that we can be born again". Every Easter Season this song would be heard in just about every Church, at least in America, but possibly around the world. The Hallmark of the Jesus Music Era was simplicity, and the lyrics were framed around the words of the Angel at the empty tomb "He is Risen, just as He Said" with very few other embellishments, something the modern era has lost.
   
   
7. Time, Phil Keaggy (1976) CCM's initial entry into the Progressive Rock Era. Before this all that could be said was that some songs went on for a long time, but there was no real reason for it except that they didn't know how to end the song. As to have a purpose behind the length to showcase the artistry of the artist, it is fitting that when Christian Music planted its first banner, it chose the artist who would be known as the Master of the Guitar, Phil Keaggy. A nearly seven minute song which concludes with a four minute instrumental virtuoso performance. A task which would terrify the modern musician so greatly they would not attempt it.
   
   
8. Love You With My Life, Sweet Comfort Band (1978) Coming of age in the 1970's and 80's my musical heart was taken with the stylings of the Chicago Transit Authority, which was soon shortened to simply Chicago. The combinations of Rock Music with Horns was captivating to my ears, and as I began my transition from Mainstream to Christian Music I began my search for a Christian Alternative to Chicago, or more appropriately a Christian Music Twin to Chicago, because I never gave them up. I found it in the Southern California Jazz fusion-Rock band Sweet Comfort Band, which at the first traveled with their own horn section, and throughout their history Keyboardist/Vocalist Bryan Duncan could rock a ballad toe to toe with Peter Cetera.
   
   
9. Why Should The Father Bother, Petra (1979) For their third album Petra decided they needed to stop playing around and get a full time lead vocalist. They turned to Greg Xavier Volz who had toured with Chicago, Janis Joplin and others. The result gave the band its first signature sound and the hits began. This song reached number 3 on the Christian Charts, and maintained its position for 25 weeks.
   
   
10. Awaiting Your Reply, Resurrection Band (1978) "Too Loud, Too Loud" says the Preacher. This is what happens when you turn the Amp to 11 and the needle stays in the red. Arguably the fathers of Heavy Metal, REZ, as they would affectionately become known, let the Christian Youth let down their hair quite literally and enter the fellowship of the headbanger. For those stodgy Christians who had heart palpitations at Larry Norman, they were in full cardiac arrest with REZ. Alas for them, Christian Music had evolved for good, and in a few short years would suffer a full Yellow and Black Attack.
    
    

I probably could have added a few songs, and had initially thought my list would have been twice as long. Christian Rock was infancy however, and once you started only picking the jewels, you found some slim pickings. I anticipate a much longer list once we enter the Golden Age of the 1980's. Until next time, I am Awaiting Your Reply.