Sweet Salvation Song: The Top 10 Songs of The Seventies

Every decade can be defined by its music, and the world of CCM is no exception. It's just that nobody has bothered to. Part of the problem is that CCM is pretty much a niche market, and the charts reflect it, so when any list is made it is mostly based on subjective feelings and not sales or airplay figures. And that applies to the so called "respected" genres like pop, adult contemporary and the like, when dealing with fringe genres like heavy metal and rock, the numbers are microscopic. So perhaps we should call this the Top 20 most influential songs of the 70's, at least to this author.

1. Father's Eyes, Amy Grant (1979) The Song that Launched Contemporary Christian Music. She wasn't the first female Christian artist, not even among those who became known by a mononym. The 70's gave us EVIE (Tornquist-Karlsson), Honeytree (Nancy Henigbaum, Honeytree is the English Translation), REBA  (Rambo-McGuire), and even Stephanie (Boosahda), but none attained to AMY, the Georgia Born, Tennessee Raised Girl with a Guitar that the girls wanted to be like and all the guys wanted to marry. Father's eyes was a Number One Christian Hit, and the Album was the first by a Christian Solo Artist to go Gold. Whatever your musical preference, this song deserves the number one spot.
   
   
2. I Wish we'd All Been Ready, Larry Norman (1969) aka The Song From Thief In The Night or the Rapture Song. To a lot of Christians back then this was probably our introduction to Larry Norman. It was pretty much an Acoustic Guitar Only ballad, though they added some orchestration in the studio. While Just As I Am may have been the standby altar call song in adult Church, this was the standard in Youth Group for many years. 
   
   
3. Why Should The Devil Have All The Good Music, Larry Norman (1972) aka The Other Song That Norman Wrote. From the start, Christian Rock has come under fire from ministers of the Gospel who decried it as "The Devil's Music", while espousing their own, usually Southern Gospel, or in a least one case, a brand of Campmeeting music best described as Honky-Tonk, which to this blogger is somewhat hypocritical. The first and best known of the Rock Defense Songs, which were Christian Rock's answer to these ministers. It would be covered by just about every CCM artist afterward in concert, though to the best of my research the only recorded Cover was done by Geoff Moore and The Distance in 1993.
   
   
4. Love Broke Thru, Phil Keaggy (1976) The "Testimony Song" which became the unofficial anthem of the Jesus Music Era, with Keaggy, Randy Stonehill and Keith Green all having recorded it. Again it was the simplicity of the song, which made it easy for Church Youth Groups to sing, which helped propel the song forward.
   
   
5. Afrikaans, Resurrection Band (1979) Christianity has always been about missions. "Jesus Commands Us To Go" is an actual Bible verse ("Go Ye Into All The Earth and Preach The Gospel') and not just the title of a Keith Green song. And when the Church goes into the World, it sees things in the World which are wrong, and call it out. The Abolitionist Movement in the United States was a Christian Driven movement, although not all abolitionists were Christians. The same with the war against Apartheid in South Africa. First on the scene by at least a year before any mainstream artist noticed things was Chicago's REZ, who would never be timid in taking on social issues. Lyrics such as "God Made The Colors, but the Color doesn't make you God." would be impetus Young Christians would use to tear down racism.
   
   
6. Easter Song, 2nd Chapter of Acts (1974) The debut album by siblings Annie, Matthew and Nellie Ward would have us "Hear the Bells Ringing, they're singing, that we can be born again". Every Easter Season this song would be heard in just about every Church, at least in America, but possibly around the world. The Hallmark of the Jesus Music Era was simplicity, and the lyrics were framed around the words of the Angel at the empty tomb "He is Risen, just as He Said" with very few other embellishments, something the modern era has lost.
   
   
7. Time, Phil Keaggy (1976) CCM's initial entry into the Progressive Rock Era. Before this all that could be said was that some songs went on for a long time, but there was no real reason for it except that they didn't know how to end the song. As to have a purpose behind the length to showcase the artistry of the artist, it is fitting that when Christian Music planted its first banner, it chose the artist who would be known as the Master of the Guitar, Phil Keaggy. A nearly seven minute song which concludes with a four minute instrumental virtuoso performance. A task which would terrify the modern musician so greatly they would not attempt it.
   
   
8. Love You With My Life, Sweet Comfort Band (1978) Coming of age in the 1970's and 80's my musical heart was taken with the stylings of the Chicago Transit Authority, which was soon shortened to simply Chicago. The combinations of Rock Music with Horns was captivating to my ears, and as I began my transition from Mainstream to Christian Music I began my search for a Christian Alternative to Chicago, or more appropriately a Christian Music Twin to Chicago, because I never gave them up. I found it in the Southern California Jazz fusion-Rock band Sweet Comfort Band, which at the first traveled with their own horn section, and throughout their history Keyboardist/Vocalist Bryan Duncan could rock a ballad toe to toe with Peter Cetera.
   
   
9. Why Should The Father Bother, Petra (1979) For their third album Petra decided they needed to stop playing around and get a full time lead vocalist. They turned to Greg Xavier Volz who had toured with Chicago, Janis Joplin and others. The result gave the band its first signature sound and the hits began. This song reached number 3 on the Christian Charts, and maintained its position for 25 weeks.
   
   
10. Awaiting Your Reply, Resurrection Band (1978) "Too Loud, Too Loud" says the Preacher. This is what happens when you turn the Amp to 11 and the needle stays in the red. Arguably the fathers of Heavy Metal, REZ, as they would affectionately become known, let the Christian Youth let down their hair quite literally and enter the fellowship of the headbanger. For those stodgy Christians who had heart palpitations at Larry Norman, they were in full cardiac arrest with REZ. Alas for them, Christian Music had evolved for good, and in a few short years would suffer a full Yellow and Black Attack.
    
    

I probably could have added a few songs, and had initially thought my list would have been twice as long. Christian Rock was infancy however, and once you started only picking the jewels, you found some slim pickings. I anticipate a much longer list once we enter the Golden Age of the 1980's. Until next time, I am Awaiting Your Reply.

Walking on a Timeline: CCM By the Decade - The 70's (Jesus Music Era)

 Christian Music, like all music, has evolved over the years as musical tastes have changed, much to the consternation of Church leadership. If the "Orthodox" Church leadership had their way, we would all be forced to sing Southern Gospel (even though the great Classical Composers had God as inspiration in a lot of cases I think they would be to "Rocking" for them). Considering that Christianity itself began as an offshoot of Judaism one could plant the beginning of the "Christian Music Timeline" with King David, for when the Bible says that Jesus and his disciples "Sang a Hymn and then went out unto the Mount of Olives" that the Hymn in question was one of the Psalms (Most likely Psalm 118) and not "When The Roll is Called Up Yonder". Things pretty much went unchanged from the Times of David until that abomination called Southern Gospel began in 1910, and while "Worldly" music evolved basically with every decade especially from 1940 onward (1940: Big Band/Swing; 1950: Rockabilly; 1960: Rock and Roll; 1970's: Disco; 1980: Metal and Synthpop), the history of Christian Music basically flatlines from 1910 until 1969. Almost 60 years. 

1969: Upon This Rock by Larry Norman is widely regarded as the first Christian Rock album ever, though by todays standards it may be somewhere between folk music and folk rock, but in the hippie era, there really wasn't much else. Sweet Song of Salvation is probably the hardest rocking song on the album but the most popular would have to be "I wish we'd all been ready" which was made popular by being sung in the End Times Prophecy Movie "A Thief in The Night" (1973).

Decade One - The 1970's - aka The Jesus Music Era

The first decade of the modern Christian Music era, unlike the month of March, came in like a lamb and went out like a lion. While it is true that the era ushered in music heretofore unknown in proper Christian circles and elicited a swift condemnation buy evangelists whose musical leanings would be best described as Honky-Tonk, but on the whole the beginning of the decade consisted mainly of folk artists (the ubiquitous Girl or Guy with Guitar, mostly acoustic) and by 1978 folk had given way to pop and Adult Contemporary, Rock had gotten a strong foothold and a group with the harmless name of the Resurrection Band introduced the Saints to Heavy Metal. In short it was the Decade when the Legends were Born.  

• 1970: A bit of a cheat here, because while Upon This Rock has consistently been given a date of 1969 because that is when Larry Norman went into the studio, it really didn't hit the shelves of any music store until 1970
• 1971: While Upon This Rock Was becoming a Christian Classic, Larry had a bit of free time to scout out the emerging talent in the New Jesus Music Era. One of the first of many connections Larry Norman would forge in the music industry was with a teenage boy by the name of Randall Evan Stonehill aka Randy Stonehill. Born Twice (1971) consisted of a Live A Side and a Studio B-Side and cost $800 to make, and according to Randy "Sounds Like Every Penny of It".
• 1972: Larry Norman releases his sophomore album Only Visiting This Planet, sibling pop/rock trio The 2nd Chapter of Acts is formed, as well as Rock legends Petra and soon to be Metal legends Resurrection Band. 
• 1973: Nancy Honeytree releases her debut album, as does Philip Tyler Keaggy (known simply as Phil Keaggy). Larry Norman releases So Long Ago, The Garden.
• 1974: Petra releases their self titled debut. The 2nd Chapter of Acts debut album With Footnotes drops, which contains the hit "Easter Song". The Band Daniel Amos is formed in Southern California.
• 1975: Jerusalem, a heavy metal band, is formed in Gothenburg, Sweden. An English version of their music would not be available, however, until 1980.
• 1976: 15 year old Amy Grant, the "Queen of Christian Pop" is signed to Word Records. Larry Norman completes his Trilogy with the release of In Another Land. Randy Stonehill releases his first full length album Welcome to Paradise. Phil Keaggy releases his sophomore album
  
  
  Love Broke Thru. The titular track (entitled Your Love Broke Through) is a collaboration  between Keith Green, Todd Fishkind and Randy Stonehill. Green insisted that Keaggy be given the first opportunity to record it. The first song on side two of the album is the progressive rock classic Time, which clocks in at just short of seven minutes. The two songs are possibly the two most loved Keaggy songs. Daniel Amos released their eponymous debut. It is pretty much a country album.
• 1977: Amy Grant releases her self titled debut and "Uncle Randy" Stonehill goes to the studio to record The Sky Is Falling, which, due to a falling out between Stonehill and Larry Norman (due to Norman having an affair with Stonehill's wife) will delay the release until 1980. The Sweet Comfort Band, a Southern California Jazz Fusion, Funk and Rock band releases its Self Titled Debut.  Petra's sophomore release Come And Join Us. Designed as an evangelistic tool the album is straight up 70"s Rock and Roll with a touch of funk. Daniel Amos releases Shotgun Angel, moving from Country to Southern Rock, and Fireworks releases their self titled debut. In the late 1970's and early 1980's Servant, Petra and Fireworks would be the Big 3. Only the order kept shuffling.
• 1978: Time to Crank things up as the Heavy Metal Era begins. In Sweden Jerusalem releases their self titled debut, in Swedish. An English version of the album will be released two years later with the title Volume 1. Meanwhile, back in the States, the windy city gets a rude awakening as Jesus People USA band Resurrection band unleash Awaiting Your Reply. Unlike Randy Stonehill's low budget debut, due to a gift from a friend, they are able to spend ten times that on their album. Daniel Amos records Horrendous Disc as it transitions from Southern Rock to Alternative/New Wave. Unfortunately during recording they are dropped by their label Maranatha! Music as the label decides to concentrate on worship music. They are finally picked up by Larry Norman's Solid Rock Records but the delays push the release of the album to 1981, one week before the release of their Fourth Album Alarma! DeGarmo and Key, two Childhood friends who grew up in the shadow of Graceland, release their debut album This Time Thru. Finally Sweet Comfort Band continues their confusion with an alcoholic beverage (Southern Comfort) with their second release Breakin The Ice 
• 1979: Fireworks decides to Shatter The Darkness, and possibly a few eardrums as they move from Pop to Rock in their second album. Servant, the Second of the Jesus Music bands to be formed from Christian Communes, debuts with Shallow Water, and the first, Resurrection
  
  
  Band, releases Rainbow's End, and though the album was successful, Star Song Records remained skittish about continuing to venture into Heavy Metal and dropped the band. Amy Grant releases My Father's Eyes. She becomes the first Christian Solo artist to go Gold, the song is a number one hit, and the Christian Music World is changed forever. In a somewhat prophetic move Sweet Comfort Band's third release in three years is entitled Hold On Tight.

As the year 1979 comes to an end, the Christian Music World hears a sound, faint at first but getting louder each time. It is the Roar of Rock. The Lion Awakens and the 1980's begin, a decade seen by many as the Golden Age of Christian Music. Until next time, I am Awaiting Your Reply.

The Night Beat HOF: The Founders Class

The Founders Class of The Night Beat Hall of Fame technically would consist of any artist prior to 2021. Considering that our starting point is Larry Norman's Upon This Rock in 1969 that's 52 years. That's unworkable. So the founders class will be the First decade 1969-1979. It also coincides with the Jesus Music Era and would encompass, according to HOF rules, the Classes of 1994-2004.

While not a Comprehensive list, this would include:

Larry Norman, Daniel Amos, Servant, Petra, The Archer's, Randy Stonehill, Phil Keaggy, The Second Chapter of Acts, Keith Green, Resurrection Band, Sweet Comfort Band, DeGarmo and Key, Denny Correll, Love Song, Chuck Girard, Evie, Barry McGuire, Reba Rambo, Dallas Holm, Kansas, Don Francisco, Darrell Mansfield, Andrus Blackwood and Company, Glad, Truth, Andrea Crouch, Phil Driscoll, Amy Grant, Michael Omartian.

I invite you to make your own suggestions, as I think this is far from complete, but I think this is a good start. Next up is the CCM era 1980-1989, when things started to become a coherent industry, which in my opinion was a very good thing. Until then, I am Awaiting Your Reply.

A Classic Replay: Flashback Friday - Love Beyond Reason

We are returning to some sort of normalcy here at Night Beat HQ. With the Video and Song Awards announced on social media, and only wrap posts to do here on the blog, I thought it time to return to our regularly scheduled programming.

Welcome to the latest edition of Flashback Friday, where we bring the modern music enthusiast up to speed on some of their history. After all, if you don't know where you've come from, how can you know where you're going.

Round Two of Flashback Friday centers around the Classic Christian Song Love Broke Through. There were four people involved in the song, but we are concentrating only on three of them. Two were involved in the writing, Keith Green and Randy Stonehill. One made the song famous in the singing and performance, Phil Keaggy. Last week we covered Keith Green. This week it's Uncle Randy time.

Sometimes, in the straight laced world of Christian Music, and artist emerges which most people may think is (slightly?) deranged. Of course such non-conventional behavior just assure that the kids will love him. Such is Randy Stonehill, or as he is affectionately known, Uncle Randy. Musically he is stylistically linked to James Tayor, though his fans love him because he acts like Robin Williams. Of course, while he may have a crazy manic persona, he is still relatively down to earth. I mean, to my knowledge, Uncle Randy has never donned a dress and heels for a music video or in concert (Steve Taylor, Lifeboat. But that's another post altogether.

We will begin our musical tour with a live video of Randy performing Your Love Broke Through.

This is a great video if your purpose is showing off Randy's Acoustic Guitar talent, which is beyond question. It does little to show the twisted sense of humor that he has. So from the sublime to the ridiculous, we will go to one of the DJ favorites during my college days (and the bane of the administration. He belches in the song) American Fast Food which was on Equator (1982)


A straight up Christian Song, but the Concept Video shows his sense of humor nicely. This is gods of men from Love Beyond Reason. (the video isn't great, but the song is)

One more humorous video. This is the title cut off Love Beyond Reason. I'm only disappointed that the beginning was edited. It had Randy asking to drive the tour bus ("How Hard Could It Be") and the long and winding road they took until it said, "from our Lost Somewhere in Central America Tour".

Randy Stonehill has quite a body of work. The link is just to mp3 albums alone. Discovered by the great Larry Norman, he released his debut album (and it was an album at the time), Born Twice, way back in 1971, and he is still recording. His latest is Spirit Walk, which was released last September. He's still got it. FYI, this is his 24th Studio Album. Rock On Uncle Randy.

It is probably appropriate to have a post on one of the more unbalanced fathers of Christian Rock be somewhat unbalanced itself, but I still apologize. Next weeks Flashback Friday should be a bit more even as we move on to Phil Keaggy. Until then, I am Awaiting Your Reply.

A Classic Replay: Flashback Friday - Why Should The Devil Have All The Good Music?

(We continue our Friday Replays of Classic Flashback Friday. It gives me a chance to update new readers on the origins of Modern Christian Music. And a chance to update some broken links.)

Welcome to the latest edition of Flashback Friday. By way of introduction to my new readers, Flashback Friday is where I introduce my readers to the pioneers of Contemporary Christian Music, beginning with the Jesus Music Era of the Late 1960's and the 1970's. As we progress each week we shall move into the Seventies, and Eighties and perhaps beyond. Not exactly sure where I should end a flashback. Maybe with the year 1999/2000.

If any one person could be labeled the "First Father" or "Adam" of Christian Rock, that person would be, by almost unanimous choice (dare I say consensus), Larry David Norman (April 8, 1947 -February 24, 2008). He certainly was recognized by Servant.

S: No, No, Doctor, you've got it all wrong. Oh Well. Now then, I've also brought you some Servant.

L: Oh, what a stroke of luck, why two of my servants ran away last week, Larry and Normany. They ran into the shallow water and the crocks got them. I suppose they're in another land now.

That was the closing line of the Jungle Music Skit, and two artists were referenced here, Larry Norman and Servant. We shall get to Servant next week, and we will get to still more bands as we move into the eighties, which is known as Christian Music's Golden Age. If you didn't get the reference, Livingstone had two servants Larry and Normany (Larry Norman). Referenced also was In Another Land (1976), which was Normans sixth release as a Christian artist. He had actually been in the music industry since 1965 with the bands Back Country Seven (1964-65) and People (1965-68). He had a hit single "I Love You", with People, which reached #14 on Billboard's Hot 100. After a brief musical hiatus he returned to lead the nascent Christian Rock scene with Upon This Rock (1969).

With the rise of Christian Rock as a major force, a reactionary movement arose among the mainstream Christian community. A reaction in itself wasn't surprising, in fact Newton's Third Law of Motion required it (For every action there is an equal and opposite reaction). What was always surprising was where the reaction came from. It would be easy to slough off an attack from "the world". It really hurt when the bullets were fired by your fellow brothers and sisters. Christianity has always been plagued with friendly fire casualties.

1 Corinthians 9:19-22 lays out the principle of "All things to all men" or "every available method" to getting out the Gospel. Paul would have been on TV, Radio, the Internet, etc. (He would have also booked passage on The Titanic, but that's another story). Organized Christianity (aka Christen-dumb) has opposed just about every major technological innovation of the 20th Century as being of "the devil", with the result that, with a few rare exceptions, the Christian Church has always been seen as a bunch of Luddites.

Norman struck back with one of the most well known "defense songs" ever released entitled Why should the devil have all the good music. Even though a live video of this exists, the quality is poor. Here is an audio only version for your enjoyment.

One of the best things about this song is it's biting sarcasm, with the parts like "I grew it out long to make room for my brain". Boldness like this was a rarity, and paved the way for CCM's Caustic Clone Prince Steve Taylor, but we shall deal with him at another time.

Six Degrees of Larry Norman

Larry Norman isn't only one of the most influential and respected people in CCM History, his is also one of the most "well-connected" people in CCM history. His Street Level Artists Agency represented legends such as Randy Stonehill, Daniel Amos and Mark Heard, but the connections go much further, and include artists as diverse as DC Talk, Switchfoot and Rebecca St. James. Even more surprising, he is also one of the founders of a Protestant Denomination of sorts. Not surprising, they don't have a problem with Rock and Roll. For more information on these connections, check out my Six Degrees Page.

That concludes this edition of Flashback Friday. We shall return next Friday with Servant, the last band listed in the Jungle Music Skit. Until next time, I am Awaiting Your Reply.

p.s. - Check out the Larry Norman page to purchase music on Amazon and support The Night Beat at the same time. Thanks.

Flashback Friday: Love Beyond Reason

Welcome to the latest edition of Flashback Friday, where we bring the modern music enthusiast up to speed on some of their history. After all, if you don't know where you've come from, how can you know where you're going.

Round Two of Flashback Friday centers around the Classic Christian Song Love Broke Through. There were four people involved in the song, but we are concentrating only on three of them. Two were involved in the writing, Keith Green and Randy Stonehill. One made the song famous in the singing and performance, Phil Keaggy. Last week we covered Keith Green. This week it's Uncle Randy time.

Sometimes, in the straight laced world of Christian Music, and artist emerges which most people may think is (slightly?) deranged. Of course such non-conventional behavior just assure that the kids will love him. Such is Randy Stonehill, or as he is affectionately known, Uncle Randy. Musically he is stylistically linked to James Tayor, though his fans love him because he acts like Robin Williams. Of course, while he may have a crazy manic persona, he is still relatively down to earth. I mean, to my knowledge, Uncle Randy has never donned a dress and heels for a music video or in concert (Steve Taylor, Lifeboat. But that's another post altogether.

We will begin our musical tour with a live video of Randy performing Your Love Broke Through.

This is a great video if your purpose of showing off Randy's Acoustic Guitar talent, which is beyond question. It does little to show the twisted sense of humor that he has. So from the sublime to the ridiculous, we will go to one of the DJ favorites during my college days (and the bane of the administration. He belches in the song) American Fast Food which was on Equator (1982)


A straight up Christian Song, but the Concept Video shows his sense of humor nicely. This is gods of men from Love Beyond Reason. (the video isn't great, but the song is)

One more humorous video. This is the title cut off Love Beyond Reason. I'm only disappointed that the beginning was edited. It had Randy asking to drive the tour bus ("How Hard Could It Be") and the long and winding road they took until it said, "from our Lost Somewhere in Central America Tour".

Randy Stonehill has quite a body of work. The link is just to mp3 albums alone. Discovered by the great Larry Norman, he released his debut album (and it was an album at the time), Born Twice, way back in 1971, and he is still recording. His latest is Spirit Walk, which was released last September. He's still got it. FYI, this is his 24th Studio Album. Rock On Uncle Randy.

It is probably appropriate to have a post on one of the more unbalanced fathers of Christian Rock be somewhat unbalanced itself, but I still apologize. Next weeks Flashback Friday should be a bit more even as we move on to Phil Keaggy. Until then, I am Awaiting Your Reply.

Why should the devil have all the good music?

Welcome to the latest edition of Flashback Friday. By way of introduction to my new readers, Flashback Friday is where I introduce my readers to the pioneers of Contemporary Christian Music, beginning with the Jesus Music Era of the Late 1960's and the 1970's. As we progress each week we shall move into the Seventies, and Eighties and perhaps beyond. Not exactly sure where I should end a flashback. Maybe with the year 1999/2000.

If any one person could be labeled the "First Father" or "Adam" of Christian Rock, that person would be, by almost unanimous choice (dare I say consensus), Larry David Norman (April 8, 1947 -February 24, 2008). He certainly was recognized by Servant.

S: No, No, Doctor, you've got it all wrong. Oh Well. Now then, I've also brought you some Servant.

L: Oh, what a stroke of luck, why two of my servants ran away last week, Larry and Normany. They ran into the shallow water and the crocks got them. I suppose they're in another land now.

That was the closing line of the Jungle Music Skit, and two artists were referenced here, Larry Norman and Servant. We shall get to Servant next week, and we will get to still more bands as we move into the eighties, which is known as Christian Music's Golden Age. If you didn't get the reference, Livingstone had two servants Larry and Normany (Larry Norman). Referenced also was In Another Land (1976), which was Normans sixth release as a Christian artist. He had actually been in the music industry since 1965 with the bands Back Country Seven (1964-65) and People (1965-68). He had a hit single "I Love You", with People, which reached #14 on Billboard's Hot 100. After a brief musical hiatus he returned to lead the nascent Christian Rock scene with Upon This Rock (1969).

With the rise of Christian Rock as a major force, a reactionary movement arose among the mainstream Christian community. A reaction in itself wasn't surprising, in fact Newton's Third Law of Motion required it (For every action there is an equal and opposite reaction). What was always surprising was where the reaction came from. It would be easy to slough off an attack from "the world". It really hurt when the bullets were fired by your fellow brothers and sisters. Christianity has always been plagued with friendly fire casualties.

1 Corinthians 9:19-22 lays out the principle of "All things to all men" or "every available method" to getting out the Gospel. Paul would have been on TV, Radio, the Internet, etc. (He would have also booked passage on The Titanic, but that's another story). Organized Christianity (aka Christen-dumb) has opposed just about every major technological innovation of the 20th Century as being of "the devil", with the result that, with a few rare exceptions, the Christian Church has always been seen as a bunch of Luddites.

Norman struck back with one of the most well known "defense songs" ever released entitled Why should the devil have all the good music. Even though a live video of this exists, the quality is poor. Here is an audio only version for your enjoyment.

One of the best things about this song is it's biting sarcasm, with the parts like "I grew it out long to make room for my brain". Boldness like this was a rarity, and paved the way for CCM's Caustic Clone Prince Steve Taylor, but we shall deal with him at another time.

Six Degrees of Larry Norman

Larry Norman isn't only one of the most influential and respected people in CCM History, his is also one of the most "well-connected" people in CCM history. His Street Level Artists Agency represented legends such as Randy Stonehill, Daniel Amos and Mark Heard, but the connections go much further, and include artists as diverse as DC Talk, Switchfoot and Rebecca St. James. Even more surprising, he is also one of the founders of a Protestant Denomination of sorts. Not surprising, they don't have a problem with Rock and Roll. For more information on these connections, check out my Six Degrees Page.

That concludes this edition of Flashback Friday. We shall return next Friday with Servant, the last band listed in the Jungle Music Skit. Until next time, I am Awaiting Your Reply.

p.s. - Check out the Larry Norman page to purchase music on Amazon and support The Night Beat at the same time. Thanks.

The 10 Greatest Christian Albums Ever?

All Good Things must come to an end, our journey through CCM Magazine's 100 Greatest Christian Albums in Christian Music finally comes to its conclusion, with the Top 10. These are the albums agreed to be THE GREATEST, the "definition" of Christian Music. Are they correct? or more appropriately, still correct? It has been a decade.

The Top 10 Christian Albums, 2001

• 10 - Different Lifestyles, BeBe & Cece Winans, Sparrow, 1991
• 9   - Free at Last, DC Talk, ForeFront, 1992
• 8   - The Turning, Leslie Phillips, Myrrh, 1987
• 7   - The World as Best as I Remember It, Volume 1, Rich Mullins, Reunion, 1991.
• 6   - The Joshua Tree, U2, Island Records, 1987
• 5   - For Him Who Has Ears To Hear, Keith Green, Sparrow, 1977
• 4   - Second Hand, Mark Heard, Fingerprint, 1991
• 3   - A Liturgy, A Legacy, and A Ragamuffin Band, Rich Mullins, Reunion, 1993
• 2   - Only Visiting This Planet, Lary Norman, Verve, 1972
• 1   - Lead Me On, Amy Grant, Myrrh, 1991

Well, for the last time, here I go with my commentary. If I haven't done so already, and from the comments it appears that I haven't, I think that I shall dive into the hornest nest this time, or at least tip over some sacred cows.

If I were a cynic, I would say that one of the requirements for entry on this list is to have a premature death. Of course, even using flawed biblical interpretation one should consider any death short of 80 premature, but especially if illness or an accident is involved. A full 10 of 100 entries fit that Category. (Larry Norman, Gene Eugene(as Adam Again), DeGarmo & Key (Dana Key), Keith Green, Mark Heard, and Rich Mullins). Actually, BOTH Larry Norman and DeGarmo and Key don't fit the list perfectly, since they died after the list was published. Dana Key died unexpectedly Last June, and Norman in 2008. Of course on talent and influence alone there should have been more than one D&K entry on the list. As to Larry Norman, his influence in CCM is immense. I started playing around with a Six Degrees of Larry Norman a few days ago, and believe me he can be connected with virtually everyone in Christian Music today in 6 links or less. He belongs.

A cynic would also point out that a seeming requirement for entry to a list of Christian Albums is to not technically be a Christian Artist. Bruce Cockburn and U2 both contribute a pair of albums to the list. (Now in full disclosure, I think U2 belongs, but based on CCM Mags own description, I am not sure about Cockburn.) When those two items are combined with the usual Sandi Patty, Amy Grant, Michael W. Smith Bias (another 9 off the list), that means the Top 100 is really the top 76. There could be a lot of room in that list for some really deserving albums, and that is our wiggle room.



Number Nine?

 Most of my complaints on the 10 Greatest deal mostly with position, we'll start with DC Talk. Straight upfront, I love the album. There's no doubt that it belongs on the list. Actually I think they should swap positions with Jesus Freak at Number 14 and I would be fine with that. Personally I never did get the mini skits (Greer, WDCT, Willpower, and the cringeworthy 2 Honks).  This may be one of those Chicken and Egg questions though. While Jesus Freak may be superior to Free at Last, would DC Talk have been able to make Jesus Freak if it had not first made Free at Last. For Your Consideration.

On to the one of the greatest crossover acts among CCM fans, U2. The Joshua Tree was an awesome album, at least to me. Personally, if it was up to me, they may be a number one or two. Sorry Amy. I have always detected a little too much of "Amy Bias" in CCM. All she has to do is put out any album to be guaranteed it proclaimed the "Best Album Ever". On the other Hand, U2 consistently put out deep spiritual music all under the radar of the Christian Music Industry. Now even late recognition is better than no recognition at all, but I'm just saying. Would be number one on this list if I made it. (Now, would it still be number one? That remains to be seen. Stay Tuned).

That concludes my look back at the 100 Greatest Albums in Christian Music, as determined by CCM Magazine in 2001. Now the fun begins. A lot of music came out since 1999, the last release year for an album on the list. I think we could, at a minimum, sweep off about 20 of these. While that is not my intention, facts are facts. I hope you will help me in the undertaking. As always, I am Awaiting Your Reply.

P.S.- A personal Night Beat Shoutout to Alexandra from Sweden, Thanks for following. Don't know if you have heard of them, but I would encourage you to check out Blindside, a rock band from Sweden signed to CCM's Midas, Tooth and Nail Records, I think that With Shivering Hearts We Wait, which has a listening party at Jesus Freak Hideout, is a Solid 4.25 Emeralds, and should make next years Platinum Vinyl Awards. As to Alexandra herself, check out her blog.

Related Posts:

• The Greatest Christian Albums Ever?
• The Greatest Christian Albums Ever?, Part Two
• The Greatest Christian Albums Ever?, Part Three
• The Greatest Christian Albums Ever?, Part Four
• The Greatest Christian Albums Ever?, Part Five
• The Greatest Christian Albums Ever?, Part Six
• The Greatest Christian Albums Ever?, Part Seven
• The Greatest Christian Albums Ever?, Part Eight
• The Greatest Christian Albums Ever?, Part Nine

The Greatest Christian Albums Ever?, Part Seven

Now that the weekend is over, and a much needed break for your favorite blogger, we continue with our look back at The 100 Greatest Albums in Christian Music. We begin this time with number 40, which happens to be a Christmas Album. I am not sure how I feel about this. Seasonal Albums and Greatest. Those things never really seem to mix for me. If you disagree on that, feel free to comment below. On to the list.

The 100 Greatest Albums in Christian Music, 2001

• 40 - A Christmas Album, Amy Grant, Myrrh, 1983
• 39 - The Nu Nation Project, Kirk Franklin, GospoCentric, 1998
• 38 - In Another Land, Larry Norman, Solid Rock, 1976
• 37 - Heaven, BeBe & CeCe Winans, Sparrow/Capitol, 1988
• 36 - Medals, Russ Taff, Myrrh, 1985
• 35 - My Utmost for His Highest, Various Artists, Word, 1995
• 34 - Michael W. Smith Project, Michael W. Smith, Reunion, 1983
• 33 - The Great Adventure, Steven Curtis Chapman, Sparrow, 1992
• 32 - Victims of the Age, Mark Heard, Home Sweet Home, 1982
• 31 - Winds of Heaven, Stuff of Earth, Rich Mullins, Reunion, 1988

I guess I should start at the top. I like Christmas Music, at Christmas Time. I'm not really one of those people who could listen to Christmas Music all year long...with a couple of major exceptions. Two actually. Mannheim Steamroller and Trans-Siberian Orchestra. Of course, for the most part, they are also instrumental. Now this album was on the shelves to be pulled out during the appropriate time of year when I was a DJ, and it is an excellent "Holiday" album (That should provoke a few comments).

We'll move on down the list. Larry Norman. His position as the father of Christian Rock is enough to put him on the list multiple times. Without Larry, there would be no CCM, or at least none anyone would like to listen to. Randy Stonehill was discovered by Norman. I can only imagine how many people could be connected in a Six Degrees of Larry Norman Game. Anybody want to try? Then the album is referenced in the famed Jungle Music skit by Servant (you may have to highlight the text to read it. The Color Scheme played havoc with the monitor I am using.

I'll make one more album highlight. The Michael W. Smith Project,  which came out in 1983, was groundbreaking. Just like Larry Norman could best be called the father of Christian Rock (or Grandfather, if we want to give fatherhood to Petra). I think it is fairly safe to call Smitty the father of Christian Techno. The album was not simply synthesizer based pop, it was almost totally synthesized music. Later he did put together a band for touring, but like Leon Patillo, he could have done everything as a one man band. While gaining mainstream fame, I think he also lost his way with some of the albums. Though with Wonder, his latest release, I think he finally captured the magic that I recognized as a DJ with this release.

Just three more posts remain, and then it's your turn and mine. What CD's will we include in a new list. I think some of these CD's could be supplanted with a few that have come out in 2001 and beyond. As always, I am Awaiting Your Reply.

Related Posts:

• The Greatest Christian Albums Ever?
• The Greatest Christian Albums Ever?, Part Two
• The Greatest Christian Albums Ever?, Part Three
• The Greatest Christian Albums Ever?, Part Four
• The Greatest Christian Albums Ever?, Part Five
• The Greatest Christian Albums Ever?, Part Six
• The Greatest Christian Albums Ever?, Part Eight
• The Greatest Christian Albums Ever?, Part Nine
• The 10 Greatest Christian Albums Ever?